“We have to make sure [audiences] “They have an experience they can’t get anywhere else, and that has to be exclusive to the movies,” said producer Jon Landau, announcing next week’s movie-only trailer before Disney / Marvel’s Doctor. Strange and the Multiverse of Madness. Landau has announced additional plans for the re-release of the original Avatar on September 23 in cinemas, with restored image and sound. Landau said each of the four sequels – the first, The Way of Water, scheduled for release on December 16 – will focus on the return of Jake Sully, played by Sam Worthington, and Na’vi Neytiri, played by plays Zoe Saldaña, and their family, and they want to keep each other safe. each is a standalone film that “together is an even more connected epic”. In a story set more than a decade after the events of the first film, the dazzling moment in the teaser trailer focuses on Jake and Neitiri and includes great shots of Pandora’s glowing blue water – both above and below the surface. Toruk, the flying creatures featured in the first film. and new creatures that look like whales. Returning characters also include Sigourney Weaver as Dr. Grace Augustine and Stephen Lang as Colonel Miles Quaritch. The film also features some newcomers, including Vin Diesel and Cameron’s Titanic star Kate Winslet. Behind-the-scenes talent includes director of photography Russell Carpenter, Cameron’s Oscar-winning Titanic DP. Avatar visual effects return to Weta FX in New Zealand, again led by VFX Senior Supervisor and four-time Academy Award winner Joe Letteri. Released in 2009, Cameron’s Avatar became the highest grossing film of all time at the worldwide box office, grossing more than $ 2.8 billion. It was also credited with introducing the digital 3D era and introducing new tools and production techniques in areas such as performance recording and virtual production. Its sequel is one of the most anticipated films of the last decade. “We were going to push the boundaries of what cinema can do,” Cameron said in a video message from New Zealand, where he is making the film. Remind exhibitors that they are “partners”, adding, “John and I are here with you. We can do it. “ As in recent years, CinemaCon Dolby sponsor has equipped the Colosseum – CinemaCon’s main space – with immersive Dolby Atmos and Dolby Vision sound, which means they have installed the company’s premium 4K, high dynamic range, high frame rate and 3D laser-based projection System. This enabled Avatar 2 cinematographers to present a good performance. Cameron, Landau, and Lightstorm Entertainment, along with 20th Century and Disney, are expected to offer Avatar 2 in a wide variety of formats to support a range of theatrical installations, including 3D, 4K, and high-frame 48-frame use. per second. On Tuesday at CinemaCon, John Fithian, president and CEO of the National Theater Owners Association, noted that Avatar 2 will have more releases than any movie in movie history when it hits theaters: “We’re talking high resolution, high speed frames, 3D, Imax, PLF, different sound systems and in 160 different languages. ” “He works very closely with our members around the world to show his film in the best possible way,” Fithian said. “Jim is uniquely driven. He is brilliant. There may be only a few hundred screens [some of the formats] but he wants [Avatar 2] on these screens. It’s time to make sure your light levels are correct and that everything about the image is correct. We are excited about that. “ Prior to the release of Avatar in 2009, Cameron created more than 100 versions of deliverables in various levels of light, 2D and 3D, resolution and sound systems. It was the most ambitious digital release at the time. Cameron has previously used CinemaCon as a platform to discuss the possibilities of high frame rates. The director made a presentation at CinemaCon 2011 comparing 3D content – a medieval dinner and action scene – shown at 24 fps, 48 fps and 60 fps. While playing the clips, Cameron shared his observations, including a strobe that distracts at 24 frames per second (which has been blamed for why some viewers have headaches when watching 3D) and showed a smoother, faster image.